Introduction

Title page
Acknowledgements

0. About this course

0.1 The ToDI system
0.2 User interface
0.3 Symbols and conventions
0.3.1 Some examples
0.4 Phrasing, accentuation and melody
0.5 Sameness and difference
0.5.1 Pitch tracks vs auditory impression
0.6 Before we really begin...

Transcription of melody

1. Falling contours

1.1 H*L pitch accent
1.2 Pre-nuclear H*L
EXERCISE 1A
accent spotting, H*L
1.3 H*L close to H*L
1.4 Final incomplete fall
1.5 Final H% after H*L
EXERCISE 1B part I
EXERCISE 1B part II
final boundary tones
1.6 Downstepped H*
1.7 Downstep with spreading
EXERCISE 1C part I
EXERCISE 1C part II
downstep
1.8 Pre-nuclear H*LH
EXERCISE 1D
H*L, downstep, boundary tones
EXERCISE 1E
falling contours

2. Pauses

Transcription of pauses
EXERCISE 2
phrase boundaries

3. Initial boundary tones

3.1 Low preheads
3.2 High preheads
3.3 Falling preheads
EXERCISE 3A part I
EXERCISE 3A part II
preheads
EXERCISE 3B
H*L,downstep, preheads, boundary tones

4. Level contours

4.1 Types of level contours
4.1.1 Level tone
4.1.2 Vocative chant
4.1.3 'Scathing' intonation
EXERCISE 4A part I
downstep and level tones part I
EXERCISE 4A part II
downstep and level tones part II
EXERCISE 4B
locate targets, H* and L*

5. Rising contours

5.1 Types of rises
5.2 High rise
5.3 Low rises
5.3.1 Low rises with H%
5.3.2 Low rises without H%
EXERCISE 5A
high and low rises
5.3.3 Pre-nuclear L*H
5.3.4 Low low rise
5.4 Some rises as markers of non-final IP
EXERCISE 5B part I
EXERCISE 5B part II
all rises
5.5 Pre-nuclear singleton H* and L*
5.5.1 Singleton H*
5.5.2 Singleton L*
EXERCISE 5C
rising contours

6. Delayed peaks

Prefix L* or "delay"
EXERCISE 6
rising and delayed pitch accents

7. Appended constructions

7.0 Appended constructions
7.1 Tagged constructions
EXERCISE 7A
tagged constructions
7.2 Unaccented IPs
EXERCISE 7B
unaccented IPs

8. Exercises All Contours

EXERCISE 8A
all contours
EXERCISE 8B
all contours
EXERCISE 8C
all contours

Resynthesis using Praat (testing)

EXERCISE 1A
accent spotting, H*L

EXERCISE 1B part I
final boundary tones

EXERCISE 1C part I
downstep

EXERCISE 1d
H*L, downstep, boundary tones

EXERCISE 1e
falling contours

EXERCISE 2
H*L, downstep, boundary tones

EXERCISE 3a1
Initial boundary tones

EXERCISE 3b
H*L,downstep, preheads, boundary tones

EXERCISE 4A part I
downstep and level tones part I

EXERCISE 4B
locate targets, H* and L*

EXERCISE 5A
high and low rises

EXERCISE 5B part I
all rises

EXERCISE 5C
rising contours

EXERCISE 6
rising and delayed pitch accents

EXERCISE 7A
tagged constructions

EXERCISE 7B
unaccented IPs

EXERCISE 8A
all contours
EXERCISE 8B
all contours
EXERCISE 8C
all contours